Living the Dream

I’m sitting in Happy Girl Kitchen in Pacific Grove, California, because it’s as close as I can get to my kitchen at the moment. Three weeks into my four week stay and all I want is tea, toast, to write, and listen to music on Saturday mornings and, though some of that is possible from my room at the Hyatt, I prefer the long wooden tables decorated with mason jars of peonies, along with a dirty chai, at Happy Girl.

The boats, whales, and otters of Monterey Bay are just a few blocks away, visible past rows of pristine Craftsman and Victorian houses and a fresh, fishy smell of ocean permeates.

I am up early after dropping an actress’s dry cleaning, needed for Monday, at the cleaners.

The espresso mixed in my chai has yet to kick in and I’m groggy after a long week.

Later today I will go to the grocery store and stock up on my last week’s supply of daily salad ingredients and morning yogurt accessories, berries and such, to stuff in my mini fridge. There is a method to fitting one week’s food into such a small space and it has taken me fifteen years to figure it out. I also remembered the knife, fork, spoon, and sponge this time around.

“You bring your lunch every day?” co- workers ask. “You wash your dishes in the bathroom? I’d be too grossed out,” one replied. “How do you find the time?” others wonder.

“I have to,” I reply. It connects me.

For the first week of my current month on location, the anxiety that somehow the life I love had been erased, yet again, and replaced with nothing but work and a hotel room consumed me.

How to integrate the lives we live, to always feel connected, no matter the circumstances?

I wake early to chop veggies and make hot water with lemon. It is my meditation. Along with my other meditation, preparing food, writing, taking walks, pulling my daily tarot cards, and documenting it all with a camera are the ways I connect back with myself when it seems that my periodically all consuming costuming career will suck me in and forget to spit me back out.

When I remember to connect to myself in these small ways, the anxiety subsides and I am present, able to enjoy whatever may be around me, wherever I may be. And lately I just happen to be in some of the most beautiful places on earth.

If you enjoy these posts, please follow Smagik.com and please share!

Nostalitude.

img_5057

It was drizzling when I woke in Chama, NM, this morning and as I stepped through my screen door and onto the shared front porch of the Vista del Rio Lodge, it smelled like the mountains as rain covered newly fallen leaves and still blooming flowers.  After chatting with the women at the front desk and getting my free cup of coffee, I turned right and headed south, towards Santa Fe, to begin our last few days of filming.

The first day of fall, rain, Bob Dylan on the radio, another show coming to an end, many changes on the horizon… It was some combination of these factors that filled me with a mixture of gratitude and nostalgia.  Gratitude for all that has led me to this point and nostalgia for all that has been.  Never happier than when I am behind the wheel with my camera, good music, and no plan for the day, I felt full to the point of tears.

img_5053img_5054img_5056

If you enjoy these posts, please follow smagik.com and please share!

Viva Las Vegas! 

No, not that one. The other one, in New Mexico, just north of Santa Fe, off of I-25. The once bustling, now somewhat abandoned railroad town, the one in which I have spent months of my life working on location, that is full of architectural beauties, albeit mostly boarded up. Yes, that one. 


And, here I am again. Because of its location in Northeastern New Mexico, where the Great Plains meet the Rockie Mountains and the High Desert, Las Vegas can pass for many places, hence its popularity with movie producers and location scouts. This evening, as I left the ranch where we are shooting and drove down the frontage road towards my hotel, I couldn’t help but think of all that has and hasn’t changed in my life, career, and in the town, over the many years I’ve found myself on location in Las Vegas, NM. 


In 2005, we used the Victorian houses as the backdrop for a small Minnesota town in the movie “North Country.” While working, my then boyfriend and I rented a “suite” at the Palomino Motel for $22 a night and pocketed the rest of our housing money. I turned 26 in that motel room and somewhere there exist photos of a party that included very tall grip holding a piñata above his head, while crew members swung at it with a machete until a bunch of porn fell out. 

In 2006 we were back with “No Country For Old Men.” Same boyfriend, same suite, room number 6, at the Palomino Motel. Weeks of filming, mostly nights, ice cream cones at Dairy Queen on the way to work in the afternoons. A shootout in the Plaza Hotel, my Trader Joe’s shopping bag full of different types of fake blood. An overpass turned into the Mexican border by the Art Department that made it onto the front page of the local paper because drivers on I-25 were freaking out, afraid they’d taken a wrong turn somewhere. 


Then there was “Paul” and an exploding farm house. “True Grit” in 2010 and then “The Homesman” in 2013, with six weeks of living in the Plaza Hotel, pretending the plains north of town were 1850’s Nebraska. 


And I’m back. It’s 1894 this time.  And again, a bag of fake blood. Another movie. Another hotel. Another year. And yet, so much has changed. This blog gives me a mission and instead of taking my  wacky career for granted, I find the beauty in the random places it brings me. I appreciate the experiences it has given me, I laugh at the bizarreness of it all. 


And I dedicate this post to my ex with whom I spent so much time here, who passed away in 2009. I think he always liked it in Las Vegas. 

If you enjoy these posts, please follow Smagik.com and please share! 

Truth or Consequences

Sometimes you are on location in Manhattan. Or Austin. And, sometimes, you are working on location in the desert south of Lordsburg, New Mexico.

I do not want to leave my house today. As I pack my suitcase, yoga mat, humidifier, bag of food, pillow, winter gear, dust gear, shoes, tea, and scented candle into the car, I am reminded of how frequently this used to be my life. For years, I worked and lived between states, spending months on location, in hotel rooms, everywhere and nowhere simultaneously.

And then, it just stopped working for me. Leaving my house and the small routines I’d finally managed to make mine, became almost physically painful. The idea of living in a hotel room, dependent on catering, microwaved soup, instant oatmeal, and coffee made in the bathroom, was unappealing on every level. So, I stopped. I began to accept jobs based on whether the movie was in town or not. And that single decision has done wonders for my health, sleep, well being, and life.

Recently I received a call for a month long, out of town job in Southern New Mexico and, because it was with a supervisor I liked, accepted. And, for the past month, I have counted the days until I could be back home. My days consist of waking at 2:30 am, getting in a van, working until the sun goes down, stumbling from the van to the shower to the bed and doing it all over again the next day. Friends and family’s calls go unanswered, mail piles up, and my life is put in hold.

For the same amount of time that I’ve been choosing to work at home, I’ve also been practicing living in the present. It is the combination that seems to account for a happiness I can’t remember feeling at any other point in my life. I have been in the flow, in the right place at the right time, happily observing the world around me and all that it has to give.

So, it is with some annoyance that I find myself incapable of maintaining this practice while working on location. I recently awoke in my hotel room around midnight. I was hungry and, as I stood eating a slice of cheese by the mini fridge, steam from the humidifier wafted by my face. My sleep mask was pushed up on my forehead and the only light came from the nightlight on the hairdryer. At that moment I was completely present and aware of how strange my life was. And, though happy to be present, also knew it wasn’t a situation I cared to keep repeating.

Driving south on I-25, I go through a town called Truth or Consequences and smile. It seems that if you know the truth and ignore it, the consequences are guaranteed to follow close behind. My truth at the moment is that home is where I want to be and I’m glad that it took only a short job to remind me of that fact.

IMG_2897.JPG